SD part Fifteen

The entire idea for Windweaver all started with the creation of the sentient double-bladed scythe that the character Faith would receive in book 2 of the original series I started working on when she would become the MC of the book after being rescued by her brother who was the MC in book 1.

When I was flushing out the backstory for the sentient weapon, I wanted to know more about her and how her soul ended up in the weapon. This turned into a seed that developed into its own story that I wanted to tell. Around the same time I had come up with and written Elwin’s Banishment about an elf who turned into a wolf and helped the light god fight off the dark god. I did not write this with the intention of turning it into my magic system origin tale, but it just turned out that way. Five years after I wrote this short story, I went back and wrote part 2, Elwin’s Last Stand. The true birth of my magic system came out which sets me up for the next story in the timeline of my world.

This brings us to Windweaver which takes place around 25,000 years after the events of Elwin’s Last Stand. That may look like a very long time, but to an elf, it is only around 100 elf generations. During those 100 generations, the magic that was gifted to the elven race grew and became more sophisticated and commonplace.

The one link that I have been trying to figure out is how the elf inside the weapon became an expert in the weapon fighting style. Yes, many of her former wielders between her first transformation and when Faith finds her gave the elf more knowledge, but I needed more, and today when I was writing Chapter 5 of Windweaver, I got it.

She is the one who developed and crafted the first scythe, granted one made of ice and not metal yet. She crafted the double-sided version later, but at the time, she could only handle the one with her right arm broken during the fight. Chapter six will be her fight against another dark mage. This one will be her first necromancer.

Dark mages in general are elves who have the magic gift of the light god but are corrupted by the dark god who still exists. Necromancy became a huge factor in the fight during the last Dark War in Elwin’s Last Stand, so it is fitting that his newest dark faction elf warriors would be able to harness the power he wielded by tapping into the magic they have at their disposal.

SD Part Fourteen

After I stepped away from writing after starting development for this book, I knew I would come back to when I was ready. In the beginning of 2024, I stepped back into writing and started working on part 2 of my Elwin two-part story. Part 1 took 6 months and came out to 24k words back in 2019. Part 2 took 8 months and came out to 61k words.

The next story in the timeline is Windweaver. Now that I have canon information for the past, I feel more confident going into this story. I had previously stopped writing partway through chapter 5 and that is why I have picked the story back up.

My life has changed a lot since 2020 and my writing process has too. I get most of my writing done now during lunch at work and at the bar on Saturday nights when I spend up to 4 hours hanging out. The last part of chapter 5 left to write is the first complex fight scene since chapter 1.

I never had a concrete idea who Lyra would be fighting, only that she could show off her prowess against an overwhelming force that puts her in a position to get hurt by being reckless. The enemy is now a swarm of undead wildlife creatures controlled by a dark mage necromancer who has an undead bear and its cub as bodyguards.

I may turn the fight against the necromancer its own chapter or keep it together, I have not decided yet. I did write out a 37 chapter base outline but who knows how it will go now. I am confident I can get at least 100k words by the end of this book. writing the 61k words for the last story gave me a confidence boost.

SD part Thirteen

After my father’s death last month, I lost my motivation to write. Over the last week or so, I have decided to work on my book again. Chapter one introduced the main character while displaying her actions in the present and past simultaneously. I completed the second chapter at a current word count of 2069 words that set up the baseline family life, introduce the second POV character, and use the conversations to expose more of the backstory that applies to the characters involved. I had fun threading in foreshadowing that may or may not be obvious on the first read.

The third chapter has arrived and the inciting incident. I outlined this chapter into three parts: reflection and establishing the timeline, the monster attack, and the aftermath. The main character’s mental health will alter over the course of the three stages. Since the main story line follows her struggle to cope, it is essential to represent the change. Because of the violent nature of the incident, this change needed to reflect that. I am currently working on this chapter.

The next few chapters after this will explore the other two POV from their perspective after this incident and explore her initial interactions with others after the tragedy. This will be when I divert away from the expected course of action. For the main character, this will not be a revenge story. One of the three POV characters seeks revenge, and their story highlights the differences.

How does a person cope with loss while feeling isolated from society? This is one of the fundamental questions asked throughout this story.

SD Part Twelve

Having characters that feel real and alive through their actions, beliefs and emotions enriches the story and can bring the reader deeper into the experience. As an author, one way to accomplish this is by infusing my own personal experiences and emotions into the characters based on the situations they are in.

My own father has been on a depressive/alcoholic/smoking decline in his health for several years since he quit his job. Because of my own personal situation, I moved back in with him and support the best I could. I would like to say my presence helped him stay alive longer than he would have otherwise if left living alone in his misery, but I knew that would only last for a while.  

He developed cirrhosis of the liver, not that I knew it, but I watched him for months and months as his abdomen grew and grew and he did nothing about it but drink more to cover the pain. On Oct 27th, 2020, he finally decided to call for the paramedics to take him to the hospital, knowing he would never return home.

After nine days, there was nothing more the hospital could do for him and today, Nov 5th, 2020 they transferred him to hospice. Pneumonia. Low blood pressure. Copd. Pulmonary hypertension. Comatose. Between his heart, lungs, and liver, it won’t be much longer till he passes.

Writing has become one of my coping mechanisms and expressing myself, regarding this moment in my life, is inevitable. That I am writing a grim dark dealing with loss and the main characters’ struggle to cope only allows me to truly express myself through the character. The frustration. Helplessness. Sorrow. Grief. The need to stand tall and be strong so that others don’t have to bear the full load.

I hope that when this story is out there for others to read, they will feel and understand the depth of emotion and embrace the humanity of it. I will end this with the words I wrote today that expressed my emotional state this afternoon.

What truths do I fear as I watch the blade of uncertainty fall on my neck?

 

What hope can there be in the face of such undeniable helplessness?

 

I stand on the edge of reality, looking down at a future that cannot be denied.

 

Will I find the light before it’s too late?

SD Part Eleven

I am proud to say that my first draft for the first chapter is complete, and I have worked on the second chapter. The first used a unique technique from another author adapted for my own needs so I could integrate a flashback into the current action. I wanted to show a glimpse into the horror of what is coming and set the tone for the book.

The second chapter’s primary purpose is to provide the baseline status quo, where the main character enjoys a peaceful time with her family. Now that the reader knows the cost to earn this freedom from the first chapter, they can see what it is the main character is fighting for. Her brother in law is introduced in chapter two, which allows me to show off more while providing more backstory naturally through dialogue as they discuss old times.

 The inciting incident occurs in the third chapter. I wanted at least one chapter dedicated to the main character enjoying her family before everything is flipped upside down. If the story needs to expand after the first draft. The time before the inciting incident would be the perfect place to do it, but for the time being, this is all I have planned from my initial outlining.

This is the first time I did not upload on Thursday, but with family issues, I wasn’t feeling up to it yesterday. I’m happy to get this out today and do my best to stick to my Thursday schedule and stay motivated. After I get chapter two and three complete, I will introduce the other two POV’s in chapter four. They will have half a chapter devoted to their perspective as they handle the events after the inciting incident. If I add no more chapters (which I doubt since I have had to expand several chapters outline into 2 or 3 before) this book will contain at least 37 chapters.

See you all next week for my next update.

SD Part Ten

I am proud to say that I am almost done with the first draft of the first chapter. It is up to 2643 words with one scene left to write. I have been developing my writing style over the last few years, trying to tailor what I have learned to my personal needs.

For this project, I have developed a more detailed outline with character information and plot points. I know what I want from each chapter. This does not stop me from adapting to the needs of the book while writing, though. I learned that from my previous work.

Before I write a scene/chapter, I hand write an outline identifying key information and any details I want to include. I use this time to come up with dialogue and action sequences that are then expanded on when I write it. If I need a refresher on a previous scene that ties into the scene I am designing. I will list the key points, so I can stay consistent and fluid.

I love typing on my laptop, but there is something special about writing my notes on actual paper that I can refer to as I type. Brandon Sanderson posted a video on his YouTube channel about the ten things he wished he had known as a teen author and one of them was, “It doesn’t have to be fun, but it should be satisfying.”

I am not always motivated to write, but my perseverance over the last two years proved that I am capable. I may not always be proud of what I write, but I felt satisfied after I was done writing it. The longer I spend inside the characters’ heads, the easier it will be to write. Until then, I will keep pushing forward until this book is complete. I have every intention of completing the first draft of chapter one before next Thursday with a solid outline for what I expect from the first chapter.  

SD Part Nine

Back on October first, I discussed the main character in the seventh blog post for this project. For today’s ninth post, I am ready to discuss another viewpoint character, the MC’s foil that goes through similar experiences, but the way they react sets them apart. Despite the circumstances and their personal choices, including those that manipulated events in the background, they can find a resolution that satisfies their desires, to a point.

Now for introductions. Tinesi is an elf like the rest of the main cast. She is older than the MC, Lyra, but only a decade at most, and that is nothing to a being who can live up to 1500 years. Tinesi trained to become a scout for her village just like Lyra, except her focus on ranged combat with a bow set her apart from the rest of her class. She prefers using magic to enhance and modify her body or weapons instead of flashy magical bursts of energy.

After she faced her own stories inciting incident she left home in pursuit of those responsible for her loss and that is when the organization recruited her to help them fight the dark mages along with the magical beasts they spawned. When she is not doing an assignment with her superior, she is working in unison with her best friend, Kailu.

This male elf suffered at the hands of the dark mages experimenting on fellow elves in their mad desire to resurrect their fallen god. The only time he will talk with his voice is alone with Tinesi. The rest is shared communication via sign language.  He possesses two magical blades. One can syphon energy from the target while the other uses the same energy to double the power back at the opponent. The contrast between Lyra’s passive companion, the spirit wolf vs the aggressive fighter supporting Tinesi.

Above all, she is committed and respects authority. Humor rarely causes her to lose her cool and is more likely to ignore any irrelevant comments made by Lyra. Trained to be an observant scout, her descriptions will be scene detailed with an emphasis of tracks and movement in the wilderness. She hates to waste words, and that is reflective in her dialog. In her free time, you are like likely to find her fletching new arrows for her quiver since it allows her to observe nature and keep her hands busy.

In a world of changes that leave the readers wondering what could happen next, Tinesi will be there as reliable driven woman along with her companion, Kailu.

SD Part Eight

During the events of the book, there are a few key factions that play a role in the narrative. Each village is self-contained and can be viewed as a separate faction, but they all fall under the same umbrella category. In the shadows we find the Organization (followers of the light) and dark mages (followers of the dark). The dark fights to reclaim their dead god by every means possible. The light desires an end to the dark and its corrupted mages. Both shadow factions work outside the village umbrella category. They are all outcasts by choice or punishment.

The two primary religious factions can be found within the light and dark, though there are those who worship or honor the light that are not a member, yet all those who worship the dead dark god belong to dark faction. The rise and fall of religion repeat over again throughout history and shows no sign of changing. These transcendental truths are universal and link the fantasy world to ours.

This brings me to the highlight of this discussion. The rangers. They are outcasts who act as mercenaries who offer the villages support by defeating magical beasts (those created by the dark mages) and support the defense and wellbeing of the people. Only those recommended by a current member may join the elite hunters. There may be light or dark faction members within the Ranger ranks, but they are all outcasts who know how to fight and enjoy doing so.

The Rangers support the light by killing the magical beasts created by dark magic, but unknowingly. I can say the same about the dark mages since the Rangers provide opportunity to conduct their magical experiments without having to dispose of any magical test subject.

The MC in the story becomes an outcast to raise her family away from her village, and when her choices wither and die, she does the only sensible option given her martial abilities. She becomes a mercenary until she grew in fame and was offered a place as a Ranger by her brother-in-law.  In the wake of this achievement, the MC continues to sell her skill as a mercenary while contributing to the Rangers by killing beasts any regular elf could never defeat.

The stubborn desires of the elders that make up the ruling council for each village are one of the key elements that lead to the increased population of outcasts who refused to obey and had the desire to walk away and the means to survive after doing so. Those that did not meet the standards of the Rangers or the Organization either found a quiet place to live or found a home within the company of like-minded individuals. These organized bands of outcast elf’s degraded into bandits out of necessity or desire for more. The dark mages loved taking advantage of the bandits to achieve their goals.

All together there are four outcast factions, two in the shadows and two out in the open with one garnering more favor from the villages they are paid to help protect against the fourth who would rather destroy and loot instead of protect. The history and continuation of past conflict shape the world both in the light and in the shadows of the dark, while civilization continues to struggle through time trying to resist change. Everyone desires a place to belong and these factions provide sanctuary and purpose, be It for good or ill.

Which Faction would you be a part of?

Follow tradition and remain a loyal member of your birthplace and village?

Become an outcast by choice for glory as a mercenary, member of the Organization, proud Ranger or by punishment becoming a bandit or joining the dark side as a corrupted dark mage?

Or will you remain a hermit away from making hard decisions that have the potential for enacting meaningful change?

Life is full of choices and consequences, and the people within the fantasy world I have created are no different. I plan on refining and strengthening the core concepts and beliefs of each faction while keeping an open mind to new possibilities and factions that can enhance the reading experience.

SD Part Seven

Today, I would like to discuss my main character. I first developed her in a series I’m working on. Her original purpose was to support the MC in the second book and continue to be with her. After I decided to write a standalone book using this world I created, this character’s origin story seemed like a perfect place to start. Regardless if I ever can publish the series, I’m working on; this book will be a complete story on its own with a potential for a sequel.

Further in my career as a writer, I may test my creative talents by creating my own species, but for now, I wanted to stick with what I knew and mold to my desires for this world I had generated in my mind. There are two species that inhabit this world. First comes the elf and after magic is released and usable, human evolution is magically enhanced to the time period (real world) of caveman or Neanderthals. This story takes place about three or four elf generations after they gain access to their magical abilities.

The social structure of this world focusses on living in settlements that are self-governed, usually by a select few elders. That means they are responsible for protecting themselves. The elves in my world live around 1500 years. They are not immortal. Regardless of the magic, each settlement takes many decades of training before allowing the youth to join the patrols. For the MC, her home requires 50 years before graduating. The MC, her best friend and his brother all joined the same year. Her father, one of the instructors, raised his daughter to be the best fighter from birth and her natural magical gifts elevated her to the top of her class, with her best friend ranking second and his brother falling short of the list. This sibling rivalry plays a part in the narrative.

During her last year of training, tragedy strikes and this results in her desire to step away from the life she was designed to take. With the rise of magical beasts created by the dark mages, it became dangerous to live in crowded areas. Her desire to escape it all and find happiness gave her the initiative to leave and live a happy life in the wilderness away from it all. Back to nature. Back to her ancestral roots.

The goal from the start was to always have the MC in a different mental state at the beginning and end. Following this path, she had to be happy and content so I could break her and leave the MC in a ruined state of mind. Nothing left to live for. She goes back to the only life she knows. Fighting. Killing. Showing no mercy. It has been fun looking at the MC’s personality difference between damaged past but happy to the broken killing machine with no care for herself.

This story is about a woman who is searching for a purpose in life without caring about her life. She is no one’s hero. There is no final boss that she wants to kill, even if she has every reason to do so. In her struggle she is dragged into a shadow war she wants nothing to do with. A war of dark vs light. Good vs evil. It can sound cliché, but it is grounded in history. My goal is to allow readers to believe they know the path and the destination until there can be no reason to believe otherwise, then rip the rug from underneath them. “I knew this would happen, but I didn’t expect this to occur after.” That is the reaction I am aiming for.

She is fighting without care for self-preservation, and that has consequences. Permanent consequences. Anyone at anytime can and will die.

But does death really have to be the end?

Current basic color shading of the MC and her spirit animal companion.

Current basic color shading of the MC and her spirit animal companion.

SD Part Six

After another week, my first chapter is about 55% complete with around 1500 words. It inspires this chapter as stated previously by Jay Christoff’s Nevernight chapter one. He goes back and forth between two events that happened during the same day, starting with the oldest and switching till it ends with the present. I have taken the approach of two events separated by many years and start with the most recent and go through four cycles, just like the original, with one extra that brings me back to the present.

The first pair introduce the evil entity from the eyes of the MC. The next set focuses on the environment and the different senses while the MC moves toward the target, then I go into the actual fight during the third with an aftermath segment as the fourth. Since I will end with the aftermath of the past, I am adding in one last scene that brings the story back into the present.

This week I discovered my MC’s skills, temperament and fighting prowess during the past event, mostly. For her settlement, they have a fifty-year training program before they graduate as protectors of their respective people. During the end of her training, she is at the top of her class. What she lacks in physical strength she makes up for in magical ability and a cunning mind. On an outing with a few of their instructors led by her father, the third ranked student in her class attacks her father from behind, revealing himself as a traitor and a dark mage.

The dark mage and his converted recruits start attacking everyone else. Both the MC and her best friend and second ranked make their way from the back of the column to deal with the traitor, the friend focusing on the others while the MC takes on the dark mage. She shows off her shielding skills by deflecting magical attacks but surprises everyone, including me, and strengthens her own fingers to stab one of the weak traitors in the chest and crush his heart with her hand.

It may change or deleted from now to the finished product, but this is the brutality the MC will face for the entire book and provides a glimpse at what’s coming. I have four sections left for chapter one and it will be easier for me to finish it by next Thursday.

 

I watched Daniel Greene’s hot takes debate on the religion that was released today (9/24/20) and I decided to talk about how religion impacts my story today. I touched on the basics last week when I discussed the history leading up to the events of this book, but wanted to expand on it.

To start off with, I did not base this religion off any real-world belief. If I had to choose, the native Americans’ belief in nature spirits might be the closest. For my fantasy world, there are no signs of a higher power that created life. It evolved naturally instead. The first sentient species, the elf’s, survived by hunting and gathering from the forest and worshipped it to say thanks and appease the forest so it would continue to provide.

The magical energy the planet and elves were born with powered a spell without their knowledge, using the collective subconscious over countless centuries to create two immortal spirits made entirely of magical energy whose only purpose was to provide and protect.

There is always a balance, and the negative traits that built up over the generations formed the dark god. The dark god was born from hate, greed and a desire for change and it attempted to do so by magically corrupting its followers and waging war against the elves and the light gods that protected it.

The story can be viewed as a straightforward good vs evil, or light vs dark. Most of those that helped fuel the darkness in the beginning only wanted change. The long-lived elders in the tribes became complacent and content with the way things were. That desire turned to frustration and anger until it blossomed into a blood-red flower.

Belief in both the light and dark fluctuated between the three dark wars. By the end of the last war, the elves were gifted with magical potential from their respective magical entities with their own unique set of skills, and the world was once more without a god. Both sides handled this change of circumstances differently. The light followers thankful for the noble sacrifice and gift of magic. A portion of the population continued to honor and worship despite knowing it no longer lived.

The dark gods’ followers became corrupted by the new powers and used those gifts to grow in strength and finish what the dark wars could not. This included generating hate on a massive scale by carrying out acts of terror and violence in the hopes of one day “summoning” the dark god once more. So, the villains in my tale don’t do evil just for the sake of being evil. They were corrupted, and it enhanced their negative desires.

Those gifted with the powers of the light god can be just as ruthless and evil as the dark gods’ followers. The MC in my story isn’t a chosen one hero that can make it to the end and make all the right choices without sacrificing moral high ground. She can be the most loving mother, wife, daughter, or best friend to those that she surrounds herself with. But if you cross the line and betray that trust, the built-up magical force she keeps at bay releases in a torrent of anger, terror and brutality that you would expect from the real world video game Mortal Combat.

The two forces that make up the religion are more in the forefront during the two-part novella that take place prior to the events of this book (only one written so far) and become a shadow war fought in the background until the MC is forced into becoming a “soldier” in the war that isn’t a war. The light vs dark plot is considered a sub-plot this time, with a focus on the MC’s journey following her character arc. The sub-plot helps drive the narrative as it should, but it’s not the boat that carries the story, only the shark chasing it.

If everything goes well, there should be an update to the character concept art series (part 2) before the next SD update. I am still waiting for the artist to finish the drawings before adding in the base color.

SD Part Five

I did not get as much writing that I had hoped for my fifth week in development. My lack of energy hampered the days I was motivated to write after work and the time I had, went toward relaxing.

I would like to take this time to dive into the history of this world in this week’s development blog.

At the beginning of this planet, creatures evolved and adapted. What made this world unique was the rich magical energy that permeated the landscape. Elf’s were the first beings that evolution gifted with intelligence, language, and the birth of a new age. What made this species special was their bond with that magical energy. They absorbed it, gifting them with strength, vitality, and a desire to become more than what they were.

Several tribes migrated and expanded over the vast continent. The forest provided for them, and in return, they worshipped it like a god. Their collective consciousness focused on this god mixed with the magical energy built up over centuries until two immortal magical entities were born. They were worshiped and honored, and in return, protected the children of the forest.

More time passed and the elder elf’s grew complacent and unchanging, bringing resentment from the newest generation. Resentment turned to anger; anger turned to hatred, which fueled the birth of a new god. A dark god.

This new god wanted nothing more than to kill the light. Unlike its counterpart, the dark god subverted its believers and turned them into monsters that could fight against the light. Thus, the first dark war began. The two light gods, in the shape of a buck and deer, defended their believers. The deer sacrificed her life to defeat the dark god, but not kill it. One day it would return.

With the dark god and its followers gone from sight, the elf’s returned to their long lives. The elders however lost faith and stopped preaching until no one believed anymore except for a handful. The last remaining light god, the buck, used what little power remained to call for a champion to fight the dark gods’ newest minions in its return to power.

Elwin’s Banishment, a series the size of a novella on Channillo follows the elf named Elwin who is chosen out of circumstance and necessity to stand up to the darkness and fight the dark gods’ minions in the second dark war. There is a plan to write the second part in a two-part series that covers the third and final dark war which leads to the deaths of both immortal magical beings and the elevation of elf’s which unlocked their optional to use magic.

Time has passed once again and still the truth of magic and what it can do is still a developing mystery full of discoveries. The dark war may be over, but the struggle between light and dark never disappeared, only moved into the shadows. The MC in this story must face hardships as she struggles to find her place in a world that wants to kill her. Just like the bunnies in the forest.

Here is the link to my novella series Elwin’s Banishment on Channillo.

https://channillo.com/series/elwin-s-banishment/

SD Part 4

Highlights to a video on the Youtubers views on female and male traits in YA fiction and how they believed these characteristics are harmful and don’t portray realistic expectations.

- “wet lettuce” lets the story happen to them. Victimhood. Weak.

- “badass chick” motivated. Unemotional. Masculine traits. Reaction to wet lettuce but goes too far.

-Ignoring natural physical differences between gender

-It’s okay to be masculine male and be good not disempowered or villainized

-Don’t need to make men inferior and or stupid to make woman look good

-If you can change the woman into a man and it doesn’t change the story, then it doesn’t work

-Vulnerability is a strength

 

As a male author writing a book with three POV’s, two of them woman and one a man, I am self-conscious how I portray my female characters, especially when the MC is a woman. Watching this video caused me to run my characters through the filter of this female Youtuber to see how my characters held up. I know I am writing an adult fiction (Grim/Dark) but that doesn’t excuse me from all the valid points that she brings up in her video.

My MC becomes a victim after witnessing the inciting incident, powerless to stop it from happening. She is vulnerable and emotional in response to this. She tries to put up a wall and hide her emotions, which the badass woman uses, but she continues to show her vulnerability throughout the story. She relies on her magical prowess to dominate the battlefield, but that does not equate to invulnerable. This point will is noticeably clear throughout. If faced with a male in close quarters, she will be at a disadvantage. Clever wits and use of magic will be her strengths to overcome it, not physically. She is active in trying to reach a goal, but it may not be the one the readers expect. It may appear that she is being passive towards the main plot in the beginning, but that is going to be a misdirection. Not every plot needs a single person to kill at the end.

The other female POV is a highly trained archer and tracker. She has a similar past to the MC, but reacts differently, which is why she is the foil character. She is motivated and loyal to her cause and personal goals. Her companion is a male who escaped after being tortured and mutilated and now stays hidden all the time. Instead of using that experience to play the victim card all the time, he turns that vulnerability into his strength and fights back. He lost some of his physical prowess because of the torture, but he makes up for it in his cunning and wits. He can still hold his own. He isn’t inferior or stupid. He listens, follows, and respects his female companion because she has earned it. He is a survivor in a world where not everyone does. Both the 2nd female POV and her companion don’t need the MC, but because of manipulation by others, the MC believes she needs them.

The 3rd POV is a male that specializes in using magic to enhance his close combat, fighting to enhance his masculine traits. He portrays both good and bad traits. It will be up to how the readers interpret how he is judged by the end of the book.

The villain is a devoted researcher that only cares about getting results. This lack of fighting prowess himself is his own vulnerability, and it does not go unnoticed. He has his own goals and desires, even if they lead him down a path of death and mayhem.  

 

For actual progress on the WIP itself, I tried writing the first past scene section, the pair first pair in my first chapter where I blend the past and present similar to how Jay Kristoff did it in Nevernight Ch 1, but mine has a larger time gap between them. I made more progress in my first character concept art for this WIP and I record my process. You can find that here on my website under Writing Journey. My goal is to continue working on the first chapter. It is the hardest technical chapter I will write in this book (most likely) and I want to take my time. After I get the words down, I can hit the gas and dig my heels into the first draft.

Story Development Part Three

My goal from last week was to outline the past and present action sequences using Jay Kristoff’s Nevernight chapter one as a framework. I managed to work on the first two out of four sections in the present day before my brain wanted to focus on writing that first section. I spent most of my time working it out in my head. I came up with small sentences or phrases that I wanted to use and wrote them down. I took what I had come up with so far and attempted to write the first two hundred words.

This is what I came up with after a week of thinking.

 

He was no longer a man.

Dark magic can do that, you know.

It corrupts the soul until there is only a shell of once was.

This beast before her was no different. A fallen elf who needed to be put down-just like that god during the third and final dark war. Retractable claws that could slice through rock dug into the ground, leaving gashes longer than her hand as it prowled along the edge of the forest. Its muscles rippled with menace each time it moved closer to the deer. Hunched over on all four, the beast sprang, jaw clamping down over the deer’s head, and thrashed back and forth until the corpse fell to the ground. Blood pooled around the deer, mirroring the blood moon high in the sky.

To her surprise, it pushed off the ground and roared into the night sky. Pain or anger, she could not tell. The wind shifted, flooding her nose with the taste of blood, sweat and a magical residue only an elf could detect.

Her Husband stood nearby, determination evident by his ever vigilant gaze.

“Are you sure?”, he asked.

She grasped his hand and their eyes met.

“I’ve got this.”

 

What was he before? Why did he change? What is dark magic? How does the soul play a part in the story? Are all beasts fallen elf’s because of the dark magic? How does she know all these details if she is far enough away to be left alone by the beast? What significance does the blood moon have? What is magical residue? Who is her husband? What does she say, “I’ve got this?”? Does this mean she is going to fight it on her own?

These are the questions I am asking myself as a potential reader going through this rough first attempt.

I managed to include sight, sound, taste, and smell but not touch. That will need to wait for the fight itself. My goal for next week is to continue working on the first chapter and in doing so, help myself define the voice, tone and type of narrator I am crafting.

Story Development Part Two

My goal from last week’s entry was to write the same scene using the three POV’s three times, or once from each perspective. In the forest, all three are hunting for a magical beast. Lyra, the MC, showed her arrogance and snarky attitude, only caring about testing out her ability against the monster. Nasir, the second POV, was more susceptible to thinking to himself as his own cheer leader and coach. He only cared about impressing Lyra. Tinesi only cares about the mission and is apt to ignoring the others when they are talking about anything irrelevant to the goal.

The challenge I have given myself is to take the unique structure from Jay Kristoff’s Nevernight chapter one and add my voice and unique take on it. In his book, Kristoff goes back and forth between two contrasting scenes four times while using similar or the same phrases with a different connotation between the MC loosing her virginity and killing a man. I bought a copy of the book for analyzing the chapter and breaking it down so I can extrapolate what makes it so unique and powerful and how I can replicate it within my voice and story constraints.

After further study and listening to the audible version of the chapter over and over, I noticed a lot more in common. The amount of work that went into combining the four pairs together is astounding. Sentence structure. specific details. It all follows the same order with added text around the framework that helps define and differentiate the two scenes.

For example, the first pair both start off with the same sentence structure of (The __ was __). “The boy was beautiful. The man was repugnant. Both were simple yet very to the point. Each followed this with a physical description with the use of the phrase “O, Daughters, his eyes” (This kind of language is prevalent in the text and one of many unique ways the narrator speaks. They both mention scenery and name a bridge next before they both repeated(with minor variation), “Her last nevernight in the city. A part of her didn’t want to say goodbye. But before she left, she’d wanted to know. She owed herself that, at least.” and “Her last nevernight in this city. A part of her still didn’t want to say goodbye. But before she left, she’d wanted him to know. She owed him that, at least.” This first pair ended with someone asking her “are you sure” with her reply, (“I’m sure”, she whispered).

For my interpretation, I plan to have my MC out in the forest alone fighting a magical beast that came to close to her home under the light of a blood moon that triggers a memory of a tragic event that played out from her past. It is taking a flashback and intertwining it into the beginning action. In chapter one for Nevernight, both events happen back to back, but is told at the same time ending at the current time whereas mine will be separated by many years yet end in the current time. He doesn’t mention the MC’s name for a while, but I will name mine by the end of the first chapter, once in both the past and present.

My goal by next week is to outline the past and present action sequence before trying to piece them together using the structure from Kristoff. What makes his chapter so powerful is the technical skill that went into each word and sentence. I don’t want to rush this process. The goal is to create a similar but unique take on this opening chapter and use it to my advantage starting my novel.

Story Development Part One

August 4th, 2020, I decided that a standalone novel within the same fantasy world I have been creating over the last two years would be an ideal debut title for my first try at publishing. Using the wealth of information on YouTube I’ve expanded my knowledge of story structure, character arcs and point of view. Brandon Sanderson’s college lectures were a jumping point into widening my horizon.

I started by Identifying the story arc, umbrella arc and the main characters arc and how they complement themselves. The story will be character driven with a subplot that involves the forces of good and evil battling each other, and the MC gets dragged into the conflict without understanding the truth.

Between the MC’s flaws and the trauma from the inciting incident, the character follows a negative arc which those around the MC take advantage of. To show a contrast to the MC, I developed a foil partner with their own POV with a similar past but handle the aftermath differently. After I decided on an antagonist, it became clear to me that the story would improve if I gave them their own POV. Settled on three POV characters, I made the choice to go with 3rd person limited.

For this story, I wanted to use the seven-point story arc: hook, plot turn 1, pinch 1, midpoint, pinch 2, plot turn 2, resolution. I ran all three POV’s, along with the villain, through the seven-point plot structure before outlining the events to assist in hitting all the major milestones for each character. I took advantage of the Likeability, competence, and proactivity slider from Brandon Anderson to gauge if my POVs were complex and showing growth.

The story arc for the antagonist was the hardest to get right. The first version made them out to be a unrelatable person. The improved second version features doubt that they struggle with the entire plot line. They do horrible things for stupid reasons and must face those consequences in the end.

I have read/listened to a plethora of books with multiple POV in third person, but I have never written one myself. My process so far has been writing out a preliminary scene structure and decide which POV is best for that scene following the four different seven-point character arcs (the 3 POV plus the villain). The current version lists 37 chapters worth of content, but my two years of writing the first drafts of books 1 and 2 of my series taught me that once I write, anything goes. Today I listened to the author interview with Joe Abercrombie on Daniel Green’s YouTube channel where they discussed that same point.

Side note: I enjoy listening to booktubers on YouTube that do reviews and discuss books from readers POV. Daniel Greene and Merphy Napier are the two I listen to the most, but I am always looking for something new. For the more author basic technical side of YouTube, I am a fan of iWriterly, Hello Future Me, and BookEnds Literary Agency.

One step I still need to take is work out how each character speaks and how their voice will influence the narration when I am in their POV. I have a page devoted to brainstorming the characteristics, but no practice scenes yet to test them out. I think a great practice would be to put all three in one scene and tell it from each POV and see the changes.

The one technique I have developed and used the most is imagining everything in my head over and over, discovering unknown elements each time and when I get home from work, write them down in my notepad. There is an app on my phone full of notes if I need to write it down.

My current project goal is to write the practice scene with each POV and use that to identify what makes each character unique.